blood i bled | the staves

newness on a monday. good morning.

bound [kayne west cover] | laura welsh | via coketalkgraceyu

we love. good night.

i let it go. it’s like swimming against the current. it exhausts you. after a while, whoever you are, you just have to let go, and the river brings you home.

— joanne harris | via thatkindofwomanlarmoyante [emphasis mine]

posture + gaze. layered. | via deathelocution: coffeestainedcashmere

posture + gaze. layered. | via deathelocutioncoffeestainedcashmere

coward | hayden calnin | vialimitlessplaylist

shapes by lola donoghue | found via jealous curator

shapes by lola donoghue | found via jealous curator

the most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.

- mary oliver [emphasis mine]

talk, talk | george maple | via britticisms

or move, move.

9/8/14, full moon this evening | by anish kapoor | via ephe: depthandlevity

9/8/14, full moon this evening | by anish kapoor | via ephedepthandlevity

calm & clear & bright … shine. illusions, by richard bach, handwritten by elleluna

calm & clear & bright … shine. illusions, by richard bach, handwritten by elleluna

right now, i’m lost in a transition. the old is dead, and i don’t know what the new is. the only way to find the new is to start different things and see if there’s something that can come out of experimentation. it’s somewhat unsettling, but it’s a hopeful thing in a way. i’ve been here before, lots of times.

- david  lynch, on his first museum show | via jarrettfuller [emphasis mine]

pink rabbits [the national cover] | caitlin rose

more national. memories ignited with about today

about today | the national | via bijan

for 4 years, i took a taxi to the office near-daily. this song carried us over the bridge and along the river through the seasons. it never felt old or off center. timely + timeless.

image

posture + gaze. | via bigeyess